“London’s Georgina Brett is part of a generation of solo artists who use layered loops to build trascendental, rotating textures from repetition. Hardware loopers and effects pedals remain the preferred tool here for Brett as for many such artists. But Brett’s work is worth a particular mention for its ghostly, ethereal quality and thoughtful, delicate compositions.
There is for me a continuum connecting to the Minimalists, of course – as a soloist, she’s doing some of the things that the Meredith Monk Ensemble did (minus the loopers), and there’s a feeling of the “discovered folk music” that Monk used in her work. Other moments have the quasi-Medieval sounds of Philip Glass — one track recalling the “Knee Plays,” other moments perhaps channeling Hildegard, in flourishes of modal monophony that underlie the writing. But this voice seems personal and intimate, centering on folk song round-style directness.
Watching her build up a track, even after many years of watching looping performances, is a pleasure, beginning fragile or even uncertain like an echo, but gently growing to a calmly rolling sea of sound.” Peter Kirk
Delighted to have been featured here, really, so happy.
So much more music in the pipeline which i am dead excited about, do keep popping back… 🙂